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Every Sound Forge Pro guide

A mechanical keyboard with blank cream keycaps and a walnut wrist rest beside a cardioid microphone on a brass desk stand.

Voice RecordingOct 2026

How to Reduce Keyboard Noise in a Voice Recording with Sound Forge

A key hit in a pause is a small edit. A hit on a word may need another take. Learn where Sound Forge helps and when to stop processing.

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A handheld field recorder with a furry windscreen and a foam-covered shotgun microphone on a stone windowsill beside a breeze-lifted linen curtain.

Voice RecordingOct 2026

How to Reduce Wind Noise in a Voice Recording with Sound Forge

A gust in a pause needs a different repair from wind across a word. Work locally, protect the voice, and know when another take is the honest answer.

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A brass meter panel with two blank needle dials beside a pair of pencil condenser microphones on a stereo bar, on a walnut sideboard.

Audio ToolsOct 2026

Phase Correlation Meter

Load a stereo file, inspect channel correlation and stereo shape, then compare it with a local mono fold-down before deciding what needs repair.

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A small unlabeled MIDI controller with brass-capped knobs and wooden faders on an oak desk beside a coiled USB cable.

MIDISep 2026

MIDI CC Chart: Control Change Numbers 0–127

A searchable MIDI CC chart for every Control Change number from 0 to 127, with practical notes on common mappings, switches, RPN/NRPN and device compatibility.

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A five-pin DIN MIDI cable and a braided USB-C cable plugged into a small wooden MIDI interface on a walnut desk.

MIDISep 2026

MIDI 1.0 vs MIDI 2.0: What Actually Changes

MIDI 2.0 extends MIDI 1.0 with UMP, higher-resolution data and device discovery. See what survives translation and what the full signal path must support.

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A walnut MIDI thru box with cream MIDI cables running to a sound module and a drum machine on an oak bookshelf.

MIDISep 2026

MIDI Channels Explained: Ports, Tracks and the 16-Channel Limit

MIDI 1.0 provides 16 channels per port—not per song or system. See where the channel lives in a message and how ports, channels and DAW tracks differ.

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Close view of ivory-colored keyboard keys with one key held down by a brass paperweight and a folded felt key cover.

MIDISep 2026

MIDI Aftertouch Explained: Channel, Polyphonic and MPE

Aftertouch adds pressure control after a note begins. Learn how Channel Pressure, Polyphonic Key Pressure and MPE differ—and why some patches stay silent.

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Felt hammers and dampers inside an open walnut upright piano, seen from above.

MIDISep 2026

MIDI Velocity Explained: What the Numbers Actually Control

MIDI velocity belongs to each note, but the instrument decides how it becomes loudness, tone or articulation. Learn how to edit it without flattening the performance.

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A graphic equalizer with a row of brass-capped sliders beside a parametric equalizer with ribbed brass knobs on a workbench.

Audio FundamentalsSep 2026

Parametric EQ vs Graphic EQ: Which One Should You Use?

Graphic EQ gives you fast fixed-band control; parametric EQ adds adjustable frequency, gain and bandwidth. Here is how to choose by task.

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Two stacked hardware dynamics units with brass knobs and a blank cream needle meter on a leather-topped desk.

Audio FundamentalsSep 2026

Compressor vs Limiter: Which One Should You Use?

Use a compressor to shape dynamic movement and a limiter to restrain peaks. Learn where they overlap and when a chain needs both.

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A closed laptop on an oak desk with a two-octave keyboard, a brass guitar pedal and a small audio interface connected by cables.

Audio FundamentalsSep 2026

What Is a VST Plugin? Instruments, Effects and Compatibility

A VST plug-in runs inside a compatible audio host. Learn what the host handles, how instruments differ from effects and which compatibility checks matter.

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A two-channel audio interface with brass knobs next to a small analog mixer with cream knobs and faders on a maple workbench.

RecordingSep 2026

Audio Interface vs Mixer: Which Recording Path Do You Need?

Choose an audio interface, a mixer or a multitrack USB mixer by the number of separate tracks you need and the way you monitor and control the session.

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